onthewillowsthere: (catboy)
After way, way too much research and overthinking, the kind of research and overthinking that had Janet feeling uncomfortably like Quentin and Alice's ill-gotten love child, she's been ready for a while. So, yes, maybe she wanted the dramatic gesture of giving this to Galahad as a wedding gift. Can you blame her? Nothing says “I hope you're really happy in all your marital bliss with that guy who always seems like he's trying to sell me a protection plan” like the promise of turning someone into a cat.

Whatever. It's also kind of anticlimactic at this point. Janet has a bowl of white paste and a whole lot of gumption, but as far as supplies go, that's it. She eyes Galahad. “You ready?”

“Yes,” Galahad says, in his usual too-serious way. He's excited, but that only means his affect is flatter and blanker than usual. He told Mothwing that he would come to her for a lesson this afternoon, but not what shape he'd be in.

“Okay. You're going to have cat-brain, and herding cats is famously impossible, so where do you want to do this?” Maybe Janet should have made the mansion generate a cat carrier. But it seems rude to show up to a meeting with a human person with one of those, and not her preferred brand of rude.

“In the garden. I want to go to Mothwing afterwards.”

“Sure thing.” She lets Galahad lead the way. She has a bowl of weird white gunk to manage.

Once they’re in the garden, surrounded by the riotous summer flowers, Galahad stops. “Will my clothes transform with me?”

“Nope.” Janet raises her eyebrows at him. “You'll be naked when I turn you back. I won't let your tiny cat body suffocate or anything, if you're worried about that.”

“When you have transformed me, will you please put my watch around my neck?”

That is… so cute. He's so cute. Every time Janet has mentally compared Galahad to an adorable talking woodland creature feels completely justified. “Yep,” she says, instead of oh my God, you're adorable. “Any other last requests before you can't talk anymore?”

“No. Thank you.”

Okay, sure. Janet scoops some of the chalky shit onto her fingers and invades Galahad's personal space. She swipes it onto his forehead, under his shock of marshmallow-fluff hair, then onto his bare shoulders. She steps back, looks him over like he's a used Chevy Malibu and she's about to try and talk him up to a family of four, then says a single harsh syllable out loud.

It's not a pretty transformation. Galahad kind of… crunches forward, folding up like a piece of paper crumpling in someone's hands. Cats are a lot smaller than humans. Fur is sprouting, his collarbones are melting away, a tail is crackling out from the other end of him. It's really, really not cute. But it does work, and Janet feels like the world's coolest magician when there's a little white cat with blue eyes staring at her from under his sundress.

It feels like falling down a cliffside – a whirling, disorienting feeling, but not the freefall in air of being thrown from a horse. When the world around Galahad comes to a halt, he looks up, and up, and up, to see Janet’s distant, blurry face.

He takes a careful step forward on his paws, getting used to his new center of gravity. His whiskers feel as though they’re constantly brushing against things, picking up every vibration in the air, and the world’s colors have changed into shades of yellow and blue. His ears twitch and swivel towards sounds.

He takes a practice run, and finds his stiff, awkward body has become graceful, fluid, as he bounds in a circle around the garden. He can’t tell how, but he knows his tail is important, as much a part of his balance as his four paws.

Finally he comes back and sits on his hindquarters in front of Janet. He knows he’s not supposed to be able to talk, but he tries anyway, and meows, “Thank you.”

“Holy shit!” Janet stares down at him. That doesn't make any sense. She remembers being a goose. All she could do was honk. She honked for days on end. It was actually really fucking tedious. “Whoa. I'm good.” She told him she would, so she kneels in the grass and swipes his watch from the pile of his clothes. “Here, kitty.”

Galahad pads over to her on his soft, silent paws and puts out his head for the watch-collar.

Feeling a sudden sense of portentous responsibility, Janet buckles it around his neck. She's careful not to make it too tight or too loose. He's so, so cute. “Okay.” She gives him a little scritch under the chin, like Regina likes. “Do whatever you want, but I'm gonna keep an eye on you.”

“I understand. Thank you, Queen Janet,” he meows again. Then a butterfly passes in the corner of his eye, and he springs after it, unable to stop himself.
onthewillowsthere: (look down)
Galahad has collected every insect guide he could find in the mansion's library, and now he is camped out in a laboratory it seems to have created particularly for him and Susan -- the room has its own microscope, so that he can stop borrowing Claudius', and every single shelf is filled with glass habitats or mesh tents for keeping insects.

With his single-minded determination, he has filled many of them -- the tents house carefully potted foot-high milkweeds with tiny butterfly eggs affixed to their leaves, or potato plants he hopes will soon harbor potato beetles, or butterflies resting on the mesh. In the glass habitats there are millipedes, gleaming tenebrionid beetles, huge and bumbling scarabs, the dogbane leaf beetle Lancelot helped him capture, shiny blister beetles, leafhoppers in every shade of green, a pair of picasso bugs, an mantis he found in the greenhouse pretending to be an orchid flower.

Many of these insects stay only long enough to be identified and documented. Galahad and Susan between them take careful notes, make drawings, take pictures. When possible, they identify to species; more often, they identify genera or family, country of origin if they're lucky. Then they let their subjects go again. Neither of them has the time nor the inclination to feed and care for the immense diversity of insects living on the mansion's grounds. Potato beetles are one thing, but catching other tiny insects for the tiger beetles every morning is unsustainable. Galahad doesn't mind. Once he has a picture and the notes, the insect is saved, even if they don't see it again.

In the morning he trains with Lan Wangji, so it's an afternoon now when he's perched on a stool in front of the microscope, inspecting a chlaenius beetle to see whether it's possible to confirm a species. Unfortunately, these beetles are too fast and squirmy to put on a slide alive, so he's ethered it first. Now he's working diligently on his sketch, his pale head bowed as he studies the tiny body.

[Open especially to anyone who needs to be reassured that Galahad is back after the mod event and he's just fine now]
onthewillowsthere: (in prayer)
Christ is risen. He is risen, indeed. Alleluia.

Last night, Galahad kissed Claudius while he was reading and explained that he was going to keep the Easter Vigil, and Claudius tsked and fixed his collar, and then fixed his collar again, and then said Galahad should take a scarf -- he unfolded himself neatly from the bed, his dressing gown swirling about him, to take one of out of the closet. He knotted it around Galahad's neck, and kissed him, and then kissed him again, and then said in the morning they would have to eat something special to break the Lenten fast. Galahad knew he was worried, and he was grateful to Claudius for letting him go anyway.

Holy Week has been a crushing weight, hard in a way it's never been. Galahad doesn't know why, but he knows Claudius can tell; Claudius knows him better than anyone. Galahad has been reminding himself that it will change on Easter. That's what the miracle is about.

With no chapel to keep his vigil in, Galahad took the thick wax pillar he'd chosen for his Paschal Candle outside to the lake. He should have asked Magnus to come with him -- he knows that. Magnus wouldn't mind, and he would have kept Galahad warm, too, and been glad he'd been asked. But after his Good Friday vision, Galahad has felt so detached from his body that remembering to do anything outside of the strict soothing rituals of Holy Week is a struggle. He shivered through the night alone, thinking about the past Easter Vigils he and Percival kept in Camelot, huddled around their bonfire, laughing when they were supposed to be serious, knowing the priest was scowling at them.

The Lucernarium is supposed to be joyful, hopeful, but the hour for Matins ticks by -- Galahad checks his watch by starlight, because both moons are new, and there's hardly any light in the sky -- and dawn doesn't come. He reminds himself that it's because it's winter, and daylight takes a long time to break across the horizon.

By eight-thirty there's finally a hint of sunlight, wan and wobbly as Magnus in the greenhouse on Passion Sunday. Galahad's hands are so cold he can hardly feel them, and they shake on the matches, but he lights the Paschal Candle and cradles it against his chest as he goes back to the mansion.

In Camelot, he would have followed the procession into the church for the Lumen Christi. This morning he does it alone. When he gets to his chapel-room, he unveils his altar and sets the candle down, then lights the votives from it, until the room is bathed in weak candlelight. He sings the Exultet to himself, softly, both parts. There's no assembly to give it power.

Galahad knows the Liturgy of the Word by heart. He's always been able to remember written words with little study, especially when they're important to him. He can recite all seven scripture readings and all of the psalms and canticles, the Gospel of the Resurrection.

In Camelot -- he can't keep thinking in Camelot; it only makes him feel more lost, less tethered. But in Camelot, there would be baptisms after the Liturgy. Then all the congregation would renew their baptismal vows, and be sprinkled with holy water. Galahad would stay stone-still as water freckled his face, hating the sensation, and Percival would laugh at him, and surreptitiously dry it off with his sleeve when no one was watching. The priest would give the Eucharist, and it was Easter.

In Camelot, there would be a great feast. Percival would get a little drunk; Galahad would sometimes forget to break his fast slowly, in increments, would be giddy from small beer on an empty stomach, and Percival could make him helpless with laughter. The stone was rolled back from the tomb. Everything in the world had more color. Christ has died, Christ is risen, Christ will come again.

There's no Eucharist here. The Mass can't ever truly finish.

Galahad stays on his knees in front of the dresser-altar, watching the candles burn down, and waits to feel himself return to his body, but there's no return. He feels like a fish that can't be reeled in, thrashing in the stream. He feels like a threshed field. He feels like an empty tomb, with only the linens inside, because the Lord has been taken away, and he knows not where they have laid Him. He feels lost.

After hours of kneeling he manages to get up off the floor and slip into the bed, at least, but he doesn't manage to go any further. He's distantly aware that he's cold, that his head is aching with hunger, but those things are easy enough to ignore when he's so far from his body. He could be dead already.

When he was first restored to himself by the angel, he felt as though he were flour being ground under the weight of a millstone. It's an apt metaphor. He tries to remind himself that Claudius is waiting for him in their room, to end the fast together. He reminds himself that he is beloved, favored among men. There are good things ahead -- Easter heralds the beginning of a season of good things. But all he feels is tired and empty and spent.

[This post is open to people who already know galahad and might have a reason to know something is wrong]
onthewillowsthere: (Default)
When Galahad was a child, Holy Week marked the most important seven days of the year. On Passion Sunday morning he would rise early for Matins and then Mass, where the priest who visited once a week to preside over their naked altar and give communion would tell the story of Christ's arrival in Jerusalem. Instead of a sermon the Passion would be read like a prophecy, foretelling the week to come, from Jesus' interrogation by Pilate to the freeing of Barabbas to the crown of thorns and the whipping, even unto death upon the cross.

After Mass there was a procession. In a village, the children would have led it, but in the nunnery there was only Galahad, and he preceded the Abbess and the priest, his arms full of boxwood, yew, and whatever spring flowers were blooming -- the children of Jerusalem laid palms before the Messiah, but no palms grew in Britain. Behind him the nuns carried their relics as he led them out of the chapel and into the courtyard, around the kitchen garden and back to the chapel. The priest would take the processional cross and strike the door with it to demand Christ's entry.

All through Lent a huge painted veil had been suspended between the chancel and the nave to shield the great wooden Rood on which the crucified Jesus had been carved, but now it would be drawn away. Galahad remembers kneeling before it, still clutching his flowers while around him the nuns sang All Glory Laud and Honor -- with jubilation, but careful to arouse no passion, in keeping with Isidore of Pelusium's exhortations that music must not inspire emotion, only express it, lest it cause listeners to succumb to base desires.

Passion Sunday is only the beginning, and this one is the first one Galahad has ever commemorated alone. The year before Percival came to Camelot there was still a church to go to Mass in; after Percival, Holy Week and every other feast and fast was something to be shared between them.

He doesn't want to bother Claudius with it; he knows Claudius and God are, as Claudius likes to say archly, not on good terms. But it's not just that. Over the last week, Claudius has been irritable, complaining often of headache and a shaking in his hands. The mansion isn't providing the things he likes, and he's openly unhappy about it. The silver strands are showing in the darkness of his hair, and as much as Galahad loves them he knows how much they frustrate Claudius' vanity, how much in general it upsets him not to have everything just so. Galahad won't disturb him with any mention of how much Holy Week matters, and how lonely it feels to lie in bed and recite the Passion silently to himself.

It's almost None before Galahad gets out of bed and puts on the blue sweater and pleated skirt that Magnus picked for him, running his fingers over the pearl button details.

The way things are now, he's not confident at all that he'd find any of the things he needs for Holy Week in the mansion. Part of him doesn't even want to bother looking and being disappointed -- he wants to slip back under the covers and lie like a corpse under a shroud.

But there could be palm in the greenhouse.

With all the effort he can manage, he pulls on the long coat he chose back at the beginning of autumn, and leaves their room to look.
onthewillowsthere: (suffer the children)
When he was Laurel, he used to conduct experiments all the time. He liked listening to Claudius talk about the very idea of experimenting, of creating a hypothesis and gathering the tools to test it; Claudius was more scientifically-minded about it and kept a log of his own findings, but Laurel made no more record than telling him every night about what things he had been able to get the many cupboards and cabinets and closets of the mansion to produce by what combination of thought and intent.

Galahad doesn't remember that well. He remembers the scarf Laurel chose for Claudius, after all the time he spent reading about clothes and considering what would look fashionable and fine on him. He remembers wrapping it in tissue paper and nestling it into the drawer with Claudius' dossier to give to him later. And of course he remembers seeing Claudius wear it, the day he found him in the garden with the spray of myrtle, and how it made him believe it was possible that Claudius still loved him and would want him back again. It made him think of Camelot, of seeing knights and ladies wear each other's tokens and colors, of seeing his own father in the lists with the queen's favor before he unhorsed all the other men who rode against him with bone-jarring strikes and falls (Galahad always sat out tourneys in his home court -- mere frivolity, God said -- though when he quested he was sometimes told to prove his strength and God's power in such games. Regardless, he only ever wore his red cross). For a moment, now, his mind strays to Claudius' bare neck, and how the white silk would look against his skin, how it would feel-- stop.

The point is he has an experiment to make now. His own experiment, not Laurel's.

He's sitting in the most public place he could think of, the front entrance by the welcome table, with a notebook and two small closed boxes. He's placed a chair for himself and his back is perfectly straight, but he's working hard to project an air of come talk to me. It's a welcome respite from trying to write a love letter.
onthewillowsthere: (in prayer)
It's a cold, clear day, and the sun streaming through the glass of the greenhouse makes it warm enough even for Galahad, as long as he wears a sweater; Magnus, meanwhile, is fine as he is. They've been arranging everything all afternoon, clearing off the long worktable by moving potted plants to the shelves along the walls or fitting them into the middle like a kind of centerpiece. There's a stack of plates and forks at one end, along with napkins and cups. There are also scorecards, with three-by-three grids, neatly labelled CAKE.

This is because, ultimately, they end up with all nine kinds of cake from Galahad's list (they run out of time to taste test in the handful of days between Ephiphany and the party, and Galahad suggests just making all nine as a group project with Laertes and Tress, especially since two of the entries on the list are cakes Laertes told them about in the first place. The absurd indulgence of having one cake, let alone nine, is the kind of sensuality Galahad wants to take for himself here. There's no reason not to. The day before and morning of the party are a wild flurry of baking, but it turns out Magnus and Laertes and Tress are a good mixture of people. Having Magnus there eases Galahad's awkwardness, and Tress and Laertes are both excited to be trying so many new recipes, and Galahad hardly has to talk at all -- he just has to be around people he likes. The kitchen smells wonderful, like chocolate and green tea and browned butter, ginger and cinnamon and cloves. It's hard to imagine the party itself being better). The cakes are laid out on the table with sprays of fresh flowers Magnus grew and little notecards to identify them, which Galahad lettered himself: Chocolate, Yellow, Almond, Sachertorte, Funfetti. Carrot, Strawberry Matcha, Brunsviger, Ice Cream. 

There are several pitchers of Mountain Dew, cherry Coke, and root beer (neither Magnus nor Galahad actually like alcoholic drinks very much). There's also a fancy bowl and a pitcher of milk intended for Mothwing, and a dish full of delicately flaked fish -- these are all cordoned off in their own little area of the table with a sign in Magnus' block capitals: TWOLEGS BACK OFF.

Magnus tapes blue and pink and green crepe paper around the door of the greenhouse, and uses his einherji jump to get up to the ceiling glass to hang the big paper stars Galahad folded and cut using a book from the library.

Galahad brings out and sets up an extra table for gifts -- it must be said that he somewhat misunderstood what Magnus meant about birthday gifts, and although it's taken him the better part of two weeks he has prepared a gift for every person they invited in addition to Magnus himself, all of which are wrapped and labelled and set on the table in question. All, that is, except the plate of Belgian waffles for Nina, which are on the table with their own notecard and a bowl of chilled whipped cream. When Magnus notices, he quickly encourages a random assortment of eleven greenhouse plants to grow their own flowers and adds them to each gift -- more flowers are always good! Especially this time of year(?? the mansion calendar is weird, but it's obviously winter).

Drosera is playing with an empty plant pot under one of the shelves, grabbing the plastic rim in her bill and shaking it as if it were a mouse she meant to kill. The sound of her paws and talons scrabbling on the ground is audible, as are her squeaky growls. She has a crepe paper bow stuck to her head, courtesy of Magnus, which doesn't seem to bother her at all.

Galahad listens to the noises and rubs his watchband. Now that guests are a few minutes from arriving, he's begun to feel anxious. It's one thing to be around one or two people at a time, or even their baking foursome -- twelve reminds him of the dance, or of feast days at Camelot, and he's worried Gu Xiang is going to be disappointed when she actually meets him, and he's worried he won't be able to understand people again, and he's worried that Claudius will think him childish for wanting this, and he's worried--

Magnus appears beside him and takes his hand, winding their fingers together and sending a pulse of summer into Galahad's body. It doesn't burn off the worries, but it makes them recede, like floodwaters, and Galahad squeezes Magnus' hand.

It's time.
onthewillowsthere: (contemplation)
The day after the dance, Galahad stays in his room the whole day. He needs the silence. He reads, and sleeps -- he feels exhausted, as if all the noise and effort of being present had drained his strength in a way no battle ever has -- and lets himself be still, and say nothing that he doesn't sign. Claudius is gentle with him, and sits beside him stroking his hair and telling him all the people he spoke to and danced with and the absolute disaster of Crowley and Aziraphale, who should never should have been left to their own devices, but he'd thought he could take his eyes off them for at least a moment--

He loves listening to Claudius complain. He loves listening to everything Claudius has to say, even when he doesn't care about the content almost at all.

The next day he feels better again, and so he goes out to Magnus' camp at Sext with his bag full of lunch and a few books, somewhat ashamed at having missed a day. He's back to his normal clothes, but he's still wearing the bracelets and earrings; he likes the way they feel, the way he can touch them.
onthewillowsthere: (in prayer)
Galahad is practicing waffles.

This seems like an allowable departure from pie, since he's practiced that so much that the action of cutting butter into flour is as simple as recitation, a kind of catechism of the hands. The waffle batter by comparison is much more complex -- he has to beat the egg whites into a fluffy, air-light substance, combine it with the other ingredients, and then get the waffle iron to work, and it's not bad but it's just a little more overwhelming. It feels more like alchemy than pie does. It's also complicated by the fact that he can't actually taste anything he makes, due to the fast, so he's just guessing that everything is coming together into something edible. The waffles do smell good.

When Laertes comes into the kitchen Galahad looks up from the waffle maker with something like relief and signs hello.
onthewillowsthere: (in prayer)
Galahad has assumed a regular schedule of checking on Magnus -- the protein bars were dire, and Magnus deserves better food, to say nothing of the other pleasures of indoor life (changes of clothes, Ticket to Ride (the Europe version), updates from Claudius' Mansion gossip that seem like they're be interesting to Magnus and not so personal that Galahad would feel bad sharing them). He comes out to the woods daily now.

It's one of the coolest days they've had at the Mansion so far, and he has a long coat on over his clothes. Today's collection of needful things includes a book full of different waffle recipes, the spicy lamb Magnus conjured from the refrigerator on his first day, two bottles of Mountain Dew Code Red, and an assortment of jeweled barrettes that immediately made him think of Magnus' overlong hair.
onthewillowsthere: (Default)
Once his father is gone, Galahad very deliberately retrieves his flowers. The focus he expends in picking them up one by one helps him feel less like he's going to shatter to pieces. He was going to find Shen Qingqiu. He can still do that.

He goes to the greenhouse first, because that seems like the most likely place.

He very carefully does not think about the blood on his knuckles or the throbbing pain in his jaw (it's already bruising). If he doesn't think about those things and just does what he already planned to do then he doesn't have to think about how Lancelot didn't know him, or how easily Galahad overpowered him.

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onthewillowsthere: (Default)
Galahad son of Lancelot

April 2025

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